
Living Positions
Running Sushi / Liquid Loft
Living Positions
Running Sushi / Liquid Loft


Living Positions brings back to the stage a selection of outstanding contemporary productions from the fields of dance, theater, music theater and performance. So far, these productions have only been shown in Vienna for a few days. Living Positions invites you to rediscover special, experimental, cross-genre pieces that were created in Vienna and also internationally successful.
RUNNING SUSHI / LIQUID LOFT
Performance, contemporary dance
02., 03., 04. and 05. 11. 2022 | 20:00
Discounts for: students, apprentices, seniors, DER STANDARD-subscribers, groups of 8 people
10% discount for Ö1-Clubmembers
Running Sushi is not narrated as a linear story, but lets the audience decide for themselves the sequence of scenes on offer and thus put together their own menu. This results in a completely new script every evening.
Running Sushi is inspired by the Japanese art of anime. The performance runs like the image sequence of a manga comic. A woman and a man try to reanimate their private idyll, which has become senseless, and thus write a possible storyboard for a future existence on the screen. In Running Sushi, images are copied and further developed to return as their own two-dimensional real world.
Dance, Choreography: Stephanie Cumming, Arttu Palmio
Artistic Direction, Concept, Choreography: Chris Haring
Music, Sound-Concept: Andreas Berger
Dramaturgy, Light Design: Thomas Jelinek
Production Management: Marlies Pucher
Set Design: Annja Krautgasser
Comics: Bert Könighofer
A co-production of ImPulsTanz Vienna International Dance Festival and Liquid Loft in co-operation with Choreographic Center Linz and TanzIst Festival Dornbirn.
"What Stephanie Cumming and Johnny Schoofs perform in perfectly timed comic strip style is intelligent, fast, and funny…The absurdity of "Running Sushi" manifests itself in the live reconstruction of manga and MTV, always nice and flat along the surface of a mental flatscreen monitor. What you see is what you get - and that's great, in this case."
Sueddeutsche Zeitung - Eva Elisabeth Fischer

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